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- <text id=90TT0030>
- <title>
- Jan. 01, 1990: Music:Best Of The Decade
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Jan. 01, 1990 Man Of The Decade:Mikhail Gorbachev
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- MUSIC, Page 83
- BEST OF THE DECADE
- </hdr>
- <body>
- <p> Bruce Springsteen: The River (Columbia, 1980). Born in the
- U.S.A. was the record that made the Boss a legend, but the
- bleak majesty of this two-LP set shows the bedrock of his
- talent.
- </p>
- <p> The Unknown Kurt Weill (Nonesuch, 1981). Acerbic rarities
- from the composer of The Threepenny Opera, sung by opera's
- sexiest soprano, Teresa Stratas.
- </p>
- <p> Wynton Marsalis: Think of One (Columbia, 1983). The
- award-winning album of a trumpeter who was jazz's hope of the
- decade, as well as its hottest, coolest talent.
- </p>
- <p> Bob Marley and the Wailers: Legend (Island, 1984). Marley
- died in 1981, but this collection of some of his best songs was
- no epitaph. It was a perpetual baptism of Jamaican soul.
- </p>
- <p> Prince and the Revolution: Purple Rain (Warner Bros.,
- 1984). Not only the best rock sound track ever written, Purple
- Rain is the most contained and passionate work to come from this
- protean regent of R. and B.
- </p>
- <p> The Mapleson Cylinders (Distributed by Metropolitan Opera
- Guild, 1985). Calve sings! And so do Nordica, Sembrich and De
- Reszke on these treasures from the Met, recorded on wax
- cylinders by the company's librarian between 1900 and 1904.
- </p>
- <p> Bob Dylan: Biograph (Columbia, 1985). A premature but
- timely career retrospective of rock's most formidable writing
- talent, Biograph was also a welcome reassertion of Dylan's
- primacy. Was great, is great, will be great.
- </p>
- <p> U2: Rattle and Hum (Island, 1988). In which the rockers
- with the decade's biggest reach and most tender conscience
- discovered America, and outdid themselves, besting even their
- breakthrough The Joshua Tree album of 1987.
- </p>
- <p> John Adams: Nixon in China (Nonesuch, 1988). The decade's
- most exhilarating and accomplished new opera: a waltz across the
- Great Wall with Dick, Pat, Henry, Mao and his missus.
- </p>
- <p> Jerome Kern: Show Boat (Angel/EMI, 1988). With a cast that
- boasted the likes of mezzo Frederica von Stade, the landmark
- American musical was revealed for what it is: a landmark
- American opera as well.
- </p>
-
- </body>
- </article>
- </text>
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